The Academician – Southern Swallow – Book I

Edward C. Patterson

CreateSpace, 2009

402, Fiction

3 1/2 out of 5 stars

Edward C. Patterson, one of the most prolific indie authors I’ve encountered, has published (by my rough count) somewhere between 15 and 17 books and has another 6 or 7 on the way. Some of these are on Kindle, some in paperback, some available through both. The point is, this guy can generate some words. And he’s been writing long enough to have developed a confident command of the language. His books are rich in detail, and filled with minutiae. Patterson seems not to labor over every detail, but to naturally sprinkle these convincing spices into his work morsel by morsel, whimsically and flippantly, but always with little effort. He makes it look easy and these colorful details build a world, populate his environment, and become the essence of his writing.

The Academician, the first of four books in Patterson’s Southern Swallow series, takes us on an epic journey through 12th Century China. A government servant (think of him as a middle manager for the Hui Dynasty) Li K-ai-men and his servant K’u Ko-ling travel through the country together and, shall we say, bond with each other. The story is rich in history and filled with meticulous detail, descriptions of the food, clothing, and customs are expertly concocted with historical precision. The execution of brigand Ch’ien Mu by blade (literally a death by 1,000 slices) is gripping in its violence.

The relationship between master and servant, though not entirely inappropriate, does cause complications for Li K-ai-men, who knows his lover can be “neither concubine for inheritor,” but continues the affair, losing his wife’s trust.

This is heavy reading. It was difficult to read in large chunks and I kept taking breaks to devour something quick and easy before picking it up again to chew through another 100 pages. The writing is excellent and feels like Patterson went back in time to the 12th Century, lived there for years, and came back to write this book. Or perhaps he’s actually from the 12th Century? The research is that strong.

This should be a 4-star book, but I’m deducting half a star for the cover. I’ve stressed again and again the importance of a strong cover but this one is pixilated and blurry and difficult to interpret. It looks like a low-resolution jpeg was expanded by Microsoft Paint and then shrunk, expanded, shrunk and expanded again. Make sure your cover is designed by a pro.

All in all, a good book backed by very strong writing and expert knowledge of the setting.

The Academician – Southern Swallow – Book I is available from Amazon.

Visit Edward’s page on Author’s Den.

Reviewed by Mark McGinty, June 2010.

On the Subject of Covers

When is it appropriate to put your own picture on the cover of your book? Most authors place a photograph of themselves on the back cover, or on one of the inside flaps. Do you need to have a giant picture of your face on the cover too? With the rise of digital photography, Photoshop and cosmetic surgery the practice of blessing your book with your own likeness has become more and more popular. I have observed four situations when an author will grace us with their beauty and knowledge, all with varying degrees of correctness:

1. Your book is autobiographical

Who can argue with this? Of course, if you wrote a book about yourself it only makes sense to slap your best photograph on the cover. A snapshot of you at your most elegant and impressive moment. Your hair is perfect, your pose is graceful and your setting (whether you are sitting on a couch or staring reflectively through a window) commands respect and speaks to your poise.  This works especially well if you’re a celebrity and your book details every glorious aspect of your star-studded life (yawn…).

Here are a few of my favorites…

 

Bill Clinton is so awesome his picture needed to grace the cover AND the spine. I mean, c’mon…

 

 

 

 

Check out Slash, shrouded in the same smoky decadence that defines his music.

 

 

 

 

Melissa Gilbert’s is great. The pose, the elegance, the hands clasped reverently, the makeup the hair. Striking.

 

 

 

 

Check out Mandela, smiling in all his  “I’m free now, suckers!” glory.

 

 

 

But what if your autobiography isn’t so glorious?

Eric Clapton did something cool. He didn’t use his photograph, he used his autograph. Check out his cover. It’s simple, classic and kicking complete butt.

 

 

 

 

 

And if you’re not famous, say no one knows who you are – it makes no sense to put your picture on the cover. Check out A Long Way Gone by Ishmael Beah. This cover tells us that the book is more about his experience than about him.

 

 

 

 

 

2. Your book is not an autobiography but it’s still pretty much all about you

Politicians do this when they decide to run for president…

Makes sense. If you run for president, there is a good chance no one will ever know what you look like, you’ll certainly never appear on TV or the newspaper, so it’s important to write a book with your face dominating the cover.

 

 

 

Check out what John McCain did. He used a picture from his war hero days. I guess that’s why he got the nomination.

 

 

 

 

Someone used the my-face-on-the-cover-of-my-book trick and cleverly fooled a small but significant part of the population into thinking this John Kerry book was autobiographical….

 

 

I guess they got the last laugh.

3. You (claim to be) an expert in your field

 

 

Look how smart Dr. Phil makes himself look. It actually appears that he knows something besides how to sound folksy on TV. Way to go Phil!

 

 

 

 

Suze is a little less self-important – note how the title is bigger than her hair? She’s actually pushed into the background on this, trying to sell you on the book’s message instead of her charm.

 

 

 

Check out good old Stephen Hawking. You don’t get any more expert than him. He’s sitting there looking out at us saying “I’m 3×10^9 times smarter than all of you combined.” And we love him for it.

 

 

 

4. You are incredibly vain

This last category is where I have the biggest problem. These people are not experts, though they certainly claim to be. They have not really accomplished anything in their lives and are famous for being famous. Meet the cast and crew of the American political punditry!

I mean really – we see your yapping mugs on TV every night. Do we also need to see you on the cover of some timely 30,000 word book?

There are two classes that fit this demographic: the talk show host and their power panel. When it comes to the panel, some are legitimate journalists, others are “Fox News Contributors” while some have more vague titles like “Democratic Strategist.” The group I want to focus on are the hosts themselves.

These are not attractive people. They are carnivorous, hateful human beings concerned only about Macing their equally venomous opponents while scoring cheap political points during their segment of the 24-hour news cycle. They are despicable people and the most loathsome maladies of our society. Only God knows why we consume their books like Irishmen draining pints of Guinness.

No matter what side you’re on the same phenomenon holds true: that for every Foxbot who springs from the cesspool of political discourse, an equally hateful Minion of MSNBC will appear and feed their hungry rabble with red meat. The books they write are an extension of their shows – so why do we buy them? We like their faces on TV, apparently we also like to see them sitting beside us on the crapper.

Here are some examples of American vanity at its worst:

 

Here’s Laura Ingraham trying to look like your pretty, everyday soccer mom. She should take lessons from her own cover and keep her mouth shut because when it opens, the image you see on the left morphes into a rabid, wild lipsticked pig.

 

 

Michael Medved just wants you to know that he’s constipated.

 

 

 

 

Is Keith Olberman trying to tell us that HE’S the worst person in the world???

 

 

 

 

I guess, if you say so.

 

 

 

So you see, punditry has become a lucrative home-based business and we have no one to blame but ourselves.

What are your thoughts? When is it appropriate to put your face on the cover of your book? Should this become a more widespread technique or have we had enough? Post your thoughts below!